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Midnight Sun, by Ramsey Campbell
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Ben Sterling brings his wife and children to his childhood village, where in a great forest, an old house holds the promise of all their dreams. But among the pines something seems to be gathering, glittering in the icy air. "A masterpiece. . . ."--Kirkus. HC: Tor.
- Sales Rank: #1650914 in Books
- Published on: 1991-01
- Original language: English
- Number of items: 1
- Dimensions: 9.50" h x 6.50" w x 1.00" l,
- Binding: Hardcover
- 336 pages
From Publishers Weekly
"Trees grow," wrote the dying Edward Sterling in the frozen earth of the forest in Stargrave, England, that became his burial ground. As his grandson Ben learns, in Campbell's beautifully poetic horror novel, the elder Sterling was answering a call from a primordial species of snow that devours humans. Ben becomes a conduit for the gluttony of this creeping arctic cold, slowly losing his reason with each victim that the entity claims, as he succumbs to its promise of immortality in exchange for the lives of his neighbors. This icy menace can succeed only through manipulating Ben's consciousness, and he cooperates--until it hunts his family. Campbell's ( Ancient Images ) artful use of metaphor paints a frightening portrait of a world tilting into chaos and the price that must be paid to save it. This absorbing novel again demonstrates the author's mastery of the horror genre.
Copyright 1990 Reed Business Information, Inc.
From School Library Journal
YA--Midnight Sun is not of the slasher, gorefest variety that passes for horror in much of the genre today. Instead, Campbell has skillfully crafted an intellectual, poetic, yet very readable thriller. Children's book writer Ben Sterling has returned to his boyhood home in the remote English country town of Stargrave. It was there that his grandfather, folklorist Edward Sterling, was found frozen to death and Ben's parents died under mysterious circumstances. Ben, now married with children, is drawn back to Stargrave by an ancient, alien lifeforce that takes possession of him as a gateway to control the world. Campbell expertly uses language to create a coiled, tense atmosphere and produce a chilling tale in the tradition of John Wyndom's Midwich Cuckoos (Ballantine, 1957; o.p.) or John Christopher's Possessors (S. & S., 1964; o.p.) A welcome addition to any horror collection.
- John Larson, Fairfax County Pub . Lib . , VA
Copyright 1991 Reed Business Information, Inc.
Most helpful customer reviews
6 of 6 people found the following review helpful.
Something Frigid This Way Comes...
By Bruce Rux
Ellen is worried about her husband, successful children's book author Ben Sterling. Ever since inheriting the family house in isolated Stargrave, his old childhood demons have been reemerging. Ben's father was crazy - he traveled to the ends of the earth researching legends of the midnight sun, and committed suicide by stripping naked in a snowy clearing - and Ellen is beginning to be afraid Ben might just be a chip off the old block.
But soon something starts scaring her worse - Ben's insistence that an eldritch god is awakening in Stargrave to reshape the planet in its image seems less a fantasy than when he and his crazy father first started spouting the idea. Stargrave is changing. It's getting colder. More isolated. The trees, the snow, the very frost itself, increasingly appears to be rearranging itself into that god's own image. Which means, perhaps, that Ben isn't a madman at all, but a genuine prophet - and if that is the case, then the end of the world is at hand...
This is one of Campbell's best, and that's saying a lot. The novel is uneven, and could have been structured better, but overall it's a steadily mounting masterpiece of menace. It's most reminiscent of Algernon Blackwood and H. P. Lovecraft, in that its horror is genuinely cosmic and never truly seen except for the effects of its presence. Dramatically, it's highly reminiscent of Stephen King's The Shining, in that a snowbound woman protects her children from her increasingly unstable (and quite possibly dangerous) husband, with an unseen supernatural being influencing events from the frozen shadows.
Sadly - like most of Campbell's best work - this book is out of print, but it's well worth trying to find anyway if you're a fan of well-crafted, creep-up-behind-you horror.
3 of 5 people found the following review helpful.
One of Campbell's least satisfying novels
By Daniel Jolley
In Midnight Sun, Ramsey Campbell attempted to write a novel in the traditional, atmospheric horror style; in my opinion, he had only limited success in doing so. I have seen a couple of people place this novel alongside the best of Algernon Blackwood and Arthur Machen, but in my opinion it falls far short of such a lofty mark. I don't think it is in any way Lovecraftian either, I should add. I've read a good many of Campbell's novels, and this is by far the most problematic of the bunch for me. The story is built around some type of preternaturally remarkable presence lurking within the forest outside Ben Sterling's childhood home, a presence that has called Ben home to unwittingly pursue its agenda of remaking the world in its own ice-cold image. The first section of the novels introduces us to Ben as a child. As an eight-year-old, he runs away from his aunt's home and makes his way to the gravesite of his family, all of whom had recently died in an automobile accident. Just before he can figure something mysterious out, he is returned to the home of his aunt, where we find him perusing the stories written by a singular ancestor of his, tales and legends brought home from the northern lands of the midnight sun. His aunt seems quite wary of the book and gets rid of it, but the stories have already planted themselves in Ben's mind. We then jump to the present, which finds Ben moving back to the Sterling home of his childhood with his wife Ellen, daughter Margaret, and son Ben. From that point on, it's one incredibly drawn-out process of watching Ben change as the mysterious forces at work in the dark forest prepare the way for the mysterious reawakening of a force older than man.
The strange woods outside the Sterling home are of utmost importance in the events of this story, but Ramsey Campbell went a little overboard on his descriptions of it. Every other page seemed to contain yet another lengthy appraisal of the strangeness of the forest, the mist above the forest, the way the forest seemed to move, etc. There also seems to be about a sentence apiece for every single snowflake that falls during the blizzard-like winter serving as the backdrop of events. Campbell just repeats himself over and over again to a frustrating degree, and this in fact works against his attempts to make the woods seem exotically creepy. On another note, I became frustrated with Ben's obvious change in personality and his wife's repeated dismissal of any problem until the very end; anyone who keeps turning off my heat during a blizzard is going to have some words from me, I can assure you, and this is the least of Ben's obvious problems. In this same vein, I have to point out my own displeasure at seeing the center of vision change from Ben to Ellen over the course of the second half of the book; this helps build the suspense for Ben's big (and ultimately disappointing) surprise, but I did not really like being thrown out of the main character's mind just when I was getting to know it. Reaching the ending of Midnight Sun took more work and time than it should have, and the ultimate reward is no reward at all. Suddenly, with only the weakest of a reason, Ben's thinking totally changes; this major plot point is not explained adequately at all, and it struck a major blow to my ultimate enjoyment of the story.
Midnight Sun could have been much shorter than it is without losing much of anything. What it really needs, though, is a plausible ending that doesn't leave the reader feeling cheated. I am a big fan of traditional horror, so I am not criticizing the genre when I say that this attempt at such writing falls far short of the bar set by the true masters of the early twentieth century.
4 of 6 people found the following review helpful.
A big disappointment
By skytwo
As a fan of H.P. Lovecraft, Campbell's early work seemed like the perfect choice for me when I decided to read a horror novel for the first time in ages. I wasn't looking for a Lovecraft imitator, but the framework for the story (similar to Lovecraft's "Lurker at the Threshhold") seemed promisingly horror-inducing, and the author seems to have no shortage of admirers.
Early on, the book seemed to be competently, but not outstandingly, written. But the greatest feat of the mysterious-force-emerging-from-the-forest story is that it manages to take nearly 400 pages getting to a ham-handed climax while telegraphing in every plot point about fifty pages before its actual arrival.
After reading reviews that made much of Campbell's "literariness," it was also disappointing to find that not only was this book a total bore, but only a shade more literary than typical airport fare. In short, the prose was as anemic as the plot.
Reveiwers seem to laud Campbell for being both literate and entertaining. This book, sadly, is neither. But I suspect that the folks who spent their high school careers cajoling English teachers into letting them write book reports on Stephen King are now patting themselves on the back for moving on to such heavy hitters as Campbell.
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