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Kamis, 22 Mei 2014

^^ Free Ebook How Sweet It Is: The Jackie Gleason Story, by James Bacon

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Sales Rank: #1000403 in Books
Published on: 1986-06
Original language: English
Number of items: 1
Binding: Paperback

From Library Journal
Bacon, a Hollywood columnist and friend of Gleason, has written an entertaining, if adulatory, biography of the poor Brooklyn kid and small-time pool hustler who grew up to become one of television's most famous comedians. Through the cooperation of Gleason and his family and friends, Bacon has spiced his narrative with personal anecdotes that pull no punches. Gleason is shown to be a hard-drinking, hard-living, big spender, whose natural comedy talents are unparalleled but very difficult to live with. Though Gleason declares that he is not an alcoholic, there's a a lot of emphasis on booze in this book. Marcia L. Perry, Berkshire Athenaeum, Pittsfield, Mass.
Copyright 1985 Reed Business Information, Inc.

Most helpful customer reviews

0 of 0 people found the following review helpful.
A Must Read for any Gleason fan!!
By Amazon Customer
Bought the book for my husband as a gift. He thought it was GREAT. He read the book in one day. (Could not put it down)!!

0 of 0 people found the following review helpful.
how sweet....
By Kevin Young
Good read for jg fans

0 of 0 people found the following review helpful.
Five Stars
By Alice M. Elrod
great

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Selasa, 13 Mei 2014

## Ebook Free Midnight Sun, by Ramsey Campbell

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Ben Sterling brings his wife and children to his childhood village, where in a great forest, an old house holds the promise of all their dreams. But among the pines something seems to be gathering, glittering in the icy air. "A masterpiece. . . ."--Kirkus. HC: Tor.

Sales Rank: #1650914 in Books
Published on: 1991-01
Original language: English
Number of items: 1
Dimensions: 9.50" h x 6.50" w x 1.00" l,
Binding: Hardcover
336 pages

From Publishers Weekly
"Trees grow," wrote the dying Edward Sterling in the frozen earth of the forest in Stargrave, England, that became his burial ground. As his grandson Ben learns, in Campbell's beautifully poetic horror novel, the elder Sterling was answering a call from a primordial species of snow that devours humans. Ben becomes a conduit for the gluttony of this creeping arctic cold, slowly losing his reason with each victim that the entity claims, as he succumbs to its promise of immortality in exchange for the lives of his neighbors. This icy menace can succeed only through manipulating Ben's consciousness, and he cooperates--until it hunts his family. Campbell's ( Ancient Images ) artful use of metaphor paints a frightening portrait of a world tilting into chaos and the price that must be paid to save it. This absorbing novel again demonstrates the author's mastery of the horror genre.
Copyright 1990 Reed Business Information, Inc.

From School Library Journal
YA--Midnight Sun is not of the slasher, gorefest variety that passes for horror in much of the genre today. Instead, Campbell has skillfully crafted an intellectual, poetic, yet very readable thriller. Children's book writer Ben Sterling has returned to his boyhood home in the remote English country town of Stargrave. It was there that his grandfather, folklorist Edward Sterling, was found frozen to death and Ben's parents died under mysterious circumstances. Ben, now married with children, is drawn back to Stargrave by an ancient, alien lifeforce that takes possession of him as a gateway to control the world. Campbell expertly uses language to create a coiled, tense atmosphere and produce a chilling tale in the tradition of John Wyndom's Midwich Cuckoos (Ballantine, 1957; o.p.) or John Christopher's Possessors (S. & S., 1964; o.p.) A welcome addition to any horror collection.
- John Larson, Fairfax County Pub . Lib . , VA
Copyright 1991 Reed Business Information, Inc.

Most helpful customer reviews

6 of 6 people found the following review helpful.
Something Frigid This Way Comes...
By Bruce Rux
Ellen is worried about her husband, successful children's book author Ben Sterling. Ever since inheriting the family house in isolated Stargrave, his old childhood demons have been reemerging. Ben's father was crazy - he traveled to the ends of the earth researching legends of the midnight sun, and committed suicide by stripping naked in a snowy clearing - and Ellen is beginning to be afraid Ben might just be a chip off the old block.
But soon something starts scaring her worse - Ben's insistence that an eldritch god is awakening in Stargrave to reshape the planet in its image seems less a fantasy than when he and his crazy father first started spouting the idea. Stargrave is changing. It's getting colder. More isolated. The trees, the snow, the very frost itself, increasingly appears to be rearranging itself into that god's own image. Which means, perhaps, that Ben isn't a madman at all, but a genuine prophet - and if that is the case, then the end of the world is at hand...
This is one of Campbell's best, and that's saying a lot. The novel is uneven, and could have been structured better, but overall it's a steadily mounting masterpiece of menace. It's most reminiscent of Algernon Blackwood and H. P. Lovecraft, in that its horror is genuinely cosmic and never truly seen except for the effects of its presence. Dramatically, it's highly reminiscent of Stephen King's The Shining, in that a snowbound woman protects her children from her increasingly unstable (and quite possibly dangerous) husband, with an unseen supernatural being influencing events from the frozen shadows.
Sadly - like most of Campbell's best work - this book is out of print, but it's well worth trying to find anyway if you're a fan of well-crafted, creep-up-behind-you horror.

3 of 5 people found the following review helpful.
One of Campbell's least satisfying novels
By Daniel Jolley
In Midnight Sun, Ramsey Campbell attempted to write a novel in the traditional, atmospheric horror style; in my opinion, he had only limited success in doing so. I have seen a couple of people place this novel alongside the best of Algernon Blackwood and Arthur Machen, but in my opinion it falls far short of such a lofty mark. I don't think it is in any way Lovecraftian either, I should add. I've read a good many of Campbell's novels, and this is by far the most problematic of the bunch for me. The story is built around some type of preternaturally remarkable presence lurking within the forest outside Ben Sterling's childhood home, a presence that has called Ben home to unwittingly pursue its agenda of remaking the world in its own ice-cold image. The first section of the novels introduces us to Ben as a child. As an eight-year-old, he runs away from his aunt's home and makes his way to the gravesite of his family, all of whom had recently died in an automobile accident. Just before he can figure something mysterious out, he is returned to the home of his aunt, where we find him perusing the stories written by a singular ancestor of his, tales and legends brought home from the northern lands of the midnight sun. His aunt seems quite wary of the book and gets rid of it, but the stories have already planted themselves in Ben's mind. We then jump to the present, which finds Ben moving back to the Sterling home of his childhood with his wife Ellen, daughter Margaret, and son Ben. From that point on, it's one incredibly drawn-out process of watching Ben change as the mysterious forces at work in the dark forest prepare the way for the mysterious reawakening of a force older than man.
The strange woods outside the Sterling home are of utmost importance in the events of this story, but Ramsey Campbell went a little overboard on his descriptions of it. Every other page seemed to contain yet another lengthy appraisal of the strangeness of the forest, the mist above the forest, the way the forest seemed to move, etc. There also seems to be about a sentence apiece for every single snowflake that falls during the blizzard-like winter serving as the backdrop of events. Campbell just repeats himself over and over again to a frustrating degree, and this in fact works against his attempts to make the woods seem exotically creepy. On another note, I became frustrated with Ben's obvious change in personality and his wife's repeated dismissal of any problem until the very end; anyone who keeps turning off my heat during a blizzard is going to have some words from me, I can assure you, and this is the least of Ben's obvious problems. In this same vein, I have to point out my own displeasure at seeing the center of vision change from Ben to Ellen over the course of the second half of the book; this helps build the suspense for Ben's big (and ultimately disappointing) surprise, but I did not really like being thrown out of the main character's mind just when I was getting to know it. Reaching the ending of Midnight Sun took more work and time than it should have, and the ultimate reward is no reward at all. Suddenly, with only the weakest of a reason, Ben's thinking totally changes; this major plot point is not explained adequately at all, and it struck a major blow to my ultimate enjoyment of the story.
Midnight Sun could have been much shorter than it is without losing much of anything. What it really needs, though, is a plausible ending that doesn't leave the reader feeling cheated. I am a big fan of traditional horror, so I am not criticizing the genre when I say that this attempt at such writing falls far short of the bar set by the true masters of the early twentieth century.

4 of 6 people found the following review helpful.
A big disappointment
By skytwo
As a fan of H.P. Lovecraft, Campbell's early work seemed like the perfect choice for me when I decided to read a horror novel for the first time in ages. I wasn't looking for a Lovecraft imitator, but the framework for the story (similar to Lovecraft's "Lurker at the Threshhold") seemed promisingly horror-inducing, and the author seems to have no shortage of admirers.
Early on, the book seemed to be competently, but not outstandingly, written. But the greatest feat of the mysterious-force-emerging-from-the-forest story is that it manages to take nearly 400 pages getting to a ham-handed climax while telegraphing in every plot point about fifty pages before its actual arrival.
After reading reviews that made much of Campbell's "literariness," it was also disappointing to find that not only was this book a total bore, but only a shade more literary than typical airport fare. In short, the prose was as anemic as the plot.
Reveiwers seem to laud Campbell for being both literate and entertaining. This book, sadly, is neither. But I suspect that the folks who spent their high school careers cajoling English teachers into letting them write book reports on Stephen King are now patting themselves on the back for moving on to such heavy hitters as Campbell.

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Minggu, 11 Mei 2014

~~ Download Ebook Joe Golem and the Drowning City: An Illustrated Novel, by Mike Mignola, Christopher Golden

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In 1925, earthquakes and a rising sea level left Lower Manhattan submerged under more than thirty feet of water, so that its residents began to call it the Drowning City. Those unwilling to abandon their homes created a new life on streets turned to canals and in buildings whose first three stories were underwater. Fifty years have passed since then, and the Drowning City is full of scavengers and water rats, poor people trying to eke out an existence, and those too proud or stubborn to be defeated by circumstance.

Among them are fourteen-year-old Molly McHugh and her friend and employer, Felix Orlov. Once upon a time Orlov the Conjuror was a celebrated stage magician, but now he is an old man, a psychic medium, contacting the spirits of the departed for the grieving loved ones left behind. When a seance goes horribly wrong, Felix Orlov is abducted by strange men wearing gas masks and rubber suits, and Molly soon finds herself on the run.

Her flight will lead her into the company of a mysterious man, and his stalwart sidekick, Joe Golem, whose own past is a mystery to him, but who walks his own dreams as a man of stone and clay, brought to life for the sole purpose of hunting witches.

Sales Rank: #655417 in Books
Published on: 2012-03-27
Released on: 2012-03-27
Original language: English
Number of items: 1
Dimensions: 9.42" h x 1.21" w x 7.78" l, 1.65 pounds
Binding: Hardcover
288 pages

Features

Science Fiction Fantasy
Psychics, Witches and Conjurors
Earthquakes, tidal Waves, Sunamis
Mike Mignola & Christopher Golden & Hellboy
Hellboy Comics

Review
Joe Golem and the Drowning City is that most marvelous kind of book--wholly original and yet completely accessible. Set in a unique world full of vivid and moving characters, it is gritty, mysterious, moving, and surprising. A brilliant combination of steampunk, fantasy, mystery, and adventure (David Liss, author of The Twelfth Enchantment)

A race against supernatural disaster through a haunting, dreamlike, and partially submerged New York City full of freaks, ghosts, and other lost souls, a story that grabs from the first page and doesn't let go. (Tad Williams)

Joe Golem and the Drowning City is a warm, wicked, frantic tale of noble monsters and monstrous men. Not merely weird and not simply gorgeous, this supernatural steampunk fable is intimate and profound. It is dreadful and sublime. (Cherie Priest)

Mignola's affectionate, Kirby-esque portraits compliment Golden's imaginative, YA-friendly prose. (Kirkus)

The steampunk supernatural world the authors have created is unique and inventive…. Recommended for fans of Hellboy, dystopian novels, and those who like a little horror with their action stories. (Library Journal)

About the Author

MIKE MIGNOLA is best known as the award-winning creator/writer/artist of Hellboy. Mignola lives in southern California with his wife, daughter, and cat.

CHRISTOPHER GOL DEN is the award-winning, bestselling author of such novels as The Myth Hunters, The Boys Are Back in Town, Strangewood, and Of Saints and Shadows. He co-wrote the lavishly illustrated novel Baltimore, or, The Steadfast Tin Soldier and the Vampire with Mike Mignola, and the comic book series featuring the same character.

Most helpful customer reviews

5 of 5 people found the following review helpful.
A wild, imaginative adventure
By Eric J. Guignard
REVIEWED: Joe Golem and the Drowning City: An Illustrated Novel
WRITTEN BY: Christopher Golden and illustrated by Mike Mignola
PUBLISHED: March, 2012

Great, fun book. A wild, imaginative adventure in an alternative sinking New York, amongst a cast of strange specters, magic rites, and steampunk. Imagine the grittiest visions of Batman's Gotham City being submerged and taken over by H.P. Lovecraft - that's a visual to the world that Christopher Golden has created. The book was rich in story that twisted like a wicked serpent and seduces you with its beautiful smile. Mignola's artwork, though infrequent, is characteristic of his deconstructed style that tells a vignette through a simple image.

Five out of Five stars

3 of 3 people found the following review helpful.
Joe Golem and the Drowning City
By Shawn McKissick
First let me start by saying that this is an "illustrated novel" and is not to be confused with "graphic novel." Some people expect an illustrated novel to be like a comic, but it is not. It is a novel with the occasional illustration. If you've read any of Golden's previous novels with Mignola, then you know what to expect.
If you are expecting a comic book form, then it is your mistake for confusing illustrated novel with graphic novel. They are not the same thing.

With that said, this book is very good. It is full of the mystery that Mignola is known for, as well as a well written story that we've come to expect from Golden. This isn't their first novel together, but it is arguably their best so far. Characters are well developed and you will care about them. There is a lot of action and suspense that will keep you turning pages in anticipation for what comes next. The pacing is just right, and the overall plot will keep you guessing.
If you enjoy reading Hellboy novels, then you will enjoy this book.
The only downside is that it ends a bit too soon, and I wish it would have lasted longer...it was that good.

2 of 2 people found the following review helpful.
Good
By smitty jones
Very entertaining book. Their is a lot of creativity in this book. Great setting, and plotted very well. Would have gotten a five from me had it not been for the main heroine and the villain. I just did not like the heroine. She was a little to generic for my likes. The main villain was also to cliché for me.

Something that Golden did very well was his descriptions. Everything in the book is described vividly. From what the characters look like to the setting. Their is also a great description of something at the end of the book, although I'm not going to spoil it.

Something I was looking forward to was Mignola's illustrations, however I found them somewhat disappointing.

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A comprehensive and integrated military, political, and strategic history of World War II, ranging from the daily life of conscripts and civilians to operational and strategic decision making at the highest levels.

• Hundreds of concise entries on all facets of World War II, ranging well beyond the typical focus on the West and on battle-to-battle recaps

• 100 photos and 20 maps offer important information about World War II

Sales Rank: #6412485 in Books
Published on: 2010-04-22
Original language: English
Number of items: 2
Dimensions: 11.30" h x 3.00" w x 8.80" l, 8.55 pounds
Binding: Hardcover
1322 pages

From School Library Journal
Gr 7 Up-This rigorous A-Z set will be valuable for defining vocabulary such as “friendly fire” or “leaflet bombing,” and identifying people, places, tactics, and campaigns. Included are numerous Russian, Japanese, and German terms such as “Wunderwaffen” (wonder weapons), and “Kotel” (a battle of encirclement). Entries vary in length, from mere definitions to 17 pages (on Adolf Hitler), and are often followed up with “see” or “see-also” references and additional reading suggestions. Appended is an extensive bibliography and a general index with careful cross-referencing and bold main entry notations. There are no illustrations. A first stop for researchers.–Vicki Reutter, Cazenovia Jr. Sr. High School, NY. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

From Booklist
This “concise” work seeks to provide a synthesis one of the most complex and expansive subjects of the twentieth century and possibly human history into a usable reference tool. In addition to focusing on significant battles, leaders, politics, and diplomacy, author Nolan (International History Institute) devotes considerable attention to issues on the eastern front as well as the effects of the war on peripheral participants and neutrals. Although there is some discussion of related facts, this is not an encyclopedia of the home front, social movements, or the Holocaust. For the most part, this is a work dedicated to the operations, campaigns, battles, and principal political and military actors in what was the most destructive total war to date. Each volume begins with a comprehensive list of entries and 20 black-and-white maps representing engagements in all theaters of the war, for example, the Battle of the Bulge and Leyte Gulf. The alphabetically arranged entries range in length from single lines (Command post, Dime Force, Interdiction, S-phone) to up to several pages for key individuals (Hermann Goring, Henri Pétain), battles, campaigns, and operations (Ardennes Offensive, Philippines, TORCH) as well as general terms (Aircraft carriers, Fascism, Rations). Other examples of entries include Blockade running, Eastern front, Imperial Japanese Navy, RADAR, U-boats, and Yalta Conference. Most of the larger entries include a suggested reading. Numerous see and see also references aid in navigation. Volume 2 concludes with a comprehensive index and a 32-page categorized, select bibliography for further research. Although any work attempting to cover such a huge topic concisely faces the twin pitfalls of selection and exclusion, Nolan has brought his considerable talents and flair for economic and engaging writing to the task and produced what is certainly an impressive reference work, recommended for larger public libraries and undergraduate collections. It may not be a necessary purchase for libraries that already own the five-volume Encyclopedia of World War II: A Political, Social, and Military History (2005), which has numerous black-and-white photographs and several hundred documents in addition to many more entries. Also available as an e-book. --Brian Odom

Review
"This two-volume reference for students and general readers was prepared by Cathal J. Nolan (history, Boston U.), and it falls into the relatively small group of encyclopedias with a single author. He explains in his preface the challenge of compressing the scope and complexity of World War II into an accessible work that offers something more than a superficial review; and he explains his decision to focus on military aspects of the war rather than life on far-reaching social or cultural issues, or the details of diplomacy. His approach is more global than is customary, with much material on often underreported topics such as the Eastern Front and the Sino-Japanese War; and he has aimed to report in an evenhanded manner without service to any particular ideological or nationalist point of view. Approximately 2,800 cross-referenced entries are arranged alphabetically. Some entries are as short as one or two lines while others occupy a few pages. Indexing is in the second volume as is an extensive bibliography, organized thematically." - Reference & Research Book News

"Nolan has brought his considerable talents and flair for economic and engaging writing to the task and produced what is certainly an impressive reference work, recommended for larger public libraries and undergraduate collections." - Booklist

"… best suited for high schools or medium-sized public libraries." - Reference & User Services Quarterly

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> Free Ebook Directory of African Film-Makers and FilmsFrom Greenwood

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The richness and color of African cinema have been neglected for too long and its many talented film-makers deserve full recognition. This new and unique book gives detailed information on over 300 major African and Arab film-makers from the main film-producing countries: Algeria, Burkina Faso, Egypt, Ethiopia, Ghana, Guinea-Bissau, Ivory Coast, Madagascar, Mali, Senegal, Somalia, Tanzania, Tunisia, and Zaire. It also includes important film directors from Southern African states--Angola, Mozambique, Zimbabwe and others--as well as from other African republics.

Each entry gives details of the film-maker's career and a complete list of films made. Two extensive indexes arrange film-makers by country and list some 5,000 film titles, in both the original language and English. An important addition is the chronology of African cinema, giving a bold summary of its growth over the last thirty years.

Sales Rank: #13314109 in Books
Published on: 1992-10-30
Original language: English
Number of items: 1
Dimensions: 12.25" h x 8.75" w x .75" l,
Binding: Hardcover
194 pages

Review
.,."Since this directory provides such an admirable ready reference source on such a large number of African film-makers, it is recommended for large public libraries and academic libraries supporting programs in film or African-American studies. Impressive in scope, it covers 29 countries across Africa and includes much information that is scattered or elsewhere unavailable...."-Choice

About the Author

KEITH SHIRI is Education and Programme Officer at the Africa Centre in London, U.K., and has organized programs for festivals of African film. Born in Harare, Zimbabwe, he studied at the University of London and the Polytechnic of Central London.

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This valuable new addition to Melville studies offers a ground-breaking interpretation of Melville's last published novel, one of the most complex texts in American literature and a work that has long been noted for the divergent critical views it has elicited. Reading the novel as a generic hybrid of narrative satire and apolyptic vision, Cook situates the novel in its implicit theological, historical, and biographical contexts: he examines the novel's relation to Melville's heterodox ideas of the deity, to the increasingly commercialized cultural milieu of antebellum America, and to Melville's own life and literary career. Uncovering a wealth of new data on the novel's satirical applications, including its covert use of Melville's friends and family for character models, Cook offers a compelling reading of The Confidence-Man - one that is sure to influence our future conception of its creator.

Sales Rank: #7104731 in Books
Published on: 1996-04-30
Original language: English
Number of items: 1
Dimensions: 9.21" h x .69" w x 6.14" l, 1.31 pounds
Binding: Hardcover
296 pages

Review
"In this exhaustive study, Cook examines an impressive array of contextual material. Eschewing theory and jargon, Cook offers straightforward, persuasive, and impressively informed readings of characters and scenes as satires of political, religious, social, literary, and familial issues and events....Cook's study is invaluable as a guide to a complex and elusive novel....the book will be immensely valuable to Melville scholars and students of 19th-century America because it clearly summarizes all relevant historical and biographical material. All subsequent commentary on The Confidence-Man will have to consider Cook's work."-Choice

?In this exhaustive study, Cook examines an impressive array of contextual material. Eschewing theory and jargon, Cook offers straightforward, persuasive, and impressively informed readings of characters and scenes as satires of political, religious, social, literary, and familial issues and events....Cook's study is invaluable as a guide to a complex and elusive novel....the book will be immensely valuable to Melville scholars and students of 19th-century America because it clearly summarizes all relevant historical and biographical material. All subsequent commentary on The Confidence-Man will have to consider Cook's work.?-Choice

"Jonathan Cook has written a lucid and useful study, one all readers of Melville will be glad to have. Satirical Apocalypse provides a rich, historically informed reading of Melville's most enigmatic novel, The Confidence-Man. Cook's discussions of Melville's satirical purposes and allegorical structure are especially illuminating."-Larry J. Reynolds, Thomas Franklin Mayo Professor in Liberal Arts, Texas A&M University

About the Author

JONATHAN A. COOK has a Ph.D. from Columbia University. He has been a lecturer at Boston University and has published articles on Irving, Hawthorne, and Melville.

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Minggu, 04 Mei 2014

# Free PDF Imperial War Museum Film Catalogue I: Volume l - The First World War Archive (Bibliographies and Indexes in Military Studies)From Brand:

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The First World War film archive at the Imperial War Museum, London, is one of the oldest in the world, celebrating its 75th anniversary in 1994. It comprises official films produced by Great Britain, Canada, Australia, and New Zealand during the First World War. This new catalog, compiled by members of the Museum's staff, covers all of the 1217 items found in the First World War collection. Among this collection are full-length documentary films, shorter documentaries and newsreels, instructional and propaganda material, and animation, the majority of which is unique. It covers the battlefields and the home front, providing invaluable material for a full understanding of the history of the Great War in all its aspects. It traces many early stages in the evolution of combat camerawork and the effective film coverage of war.

Each entry includes a film title, physical description (date, length, language, etc.), production details, a synopsis of the contents, notes, and references. Indexes offer access by film title, by personal name (both of those credited with film production and of those appearing in films), by geographical location, by event name, by military unit, and by ship name. The wide appeal of this important catalog will embrace film and military historians, historians of film propaganda, researchers, film-makers, and broadcasters.

Sales Rank: #14150737 in Books
Brand: Brand: Greenwood
Published on: 1995-02-28
Original language: English
Number of items: 1
Dimensions: 9.21" h x 1.31" w x 6.14" l, 2.30 pounds
Binding: Hardcover
640 pages

Features

Used Book in Good Condition

Review
"This collection is an invaluable resource for scholars, researchers, and educational program makers. The volume has an excellent index, and a superb introductory essay on World War I film and the evolution of the archives by Stephen Badsey of the Royal Military Academy, Sandhurst."-ARBA

"Recommended for research collections that specialize in modern history."-Choice

"This catalogue is a brilliantly conceived example of what can be done to assist researchers."-Journal of Military History

?Recommended for research collections that specialize in modern history.?-Choice

?This catalogue is a brilliantly conceived example of what can be done to assist researchers.?-Journal of Military History

?This collection is an invaluable resource for scholars, researchers, and educational program makers. The volume has an excellent index, and a superb introductory essay on World War I film and the evolution of the archives by Stephen Badsey of the Royal Military Academy, Sandhurst.?-ARBA

About the Author

ROGER SMITHER is Keeper in the Department of Film, Imperial War Museum, London.

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