Rabu, 06 Januari 2016

## PDF Download The Burning, by Graham Masterton

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While investigating the death of his fiance+a7e, who burned herself to death with a smile on her face, Lloyd Denman learns that she has become a Salamander, a creature of fire and smoke-made flesh. Reprint.

  • Sales Rank: #4201867 in Books
  • Published on: 1991-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.40" h x 5.90" w x 1.10" l,
  • Binding: Hardcover
  • 310 pages

From Publishers Weekly
Lloyd Denman of San Diego has everything--the love of a beautiful woman, a thriving restaurant business and money in the bank. But even such bliss is prey to the forces of evil as this horror novel by the author of The Manitou recounts in stunning detail. When Denman's fiancee immolates herself shortly before their wedding, he learns that she was a disciple of cultist and former Nazi kingpin Otto Mander, who grants immmortality to his followers (who are known as Salamanders) if they burn themselves to death. Denman discovers Mander's plan to use the Salamanders--who are resurrected as human torches and can incinerate others at will--to found a Fourth Reich and take over the world. To thwart him, Denman enlists the aid of a 12-year-old Pechanga Indian shaman with 20th-century street-smarts and ancient magic. The duo struggle to outmaneuver Mander, but Denman fears that the insect-eating fascist is himself an acolyte of some omniscient malevolence. Social responsibility, as outlined in this savvy tale, is the foundation of a civilized society and our first defense against chaos.
Copyright 1991 Reed Business Information, Inc.

Most helpful customer reviews

5 of 5 people found the following review helpful.
Bizarre Plot, Gruesome Horror
By Jeffrey Leach
What type of world do we live in when books like this are out of print? I ask that question often when I think about Graham Masterton's gripping horror novel, "The Burning." Masterton is definitely one of the undervalued horror novelists in recent times, a slightly obscure writer who has written numerous spooky thrillers over the years that combine great gore sequences, engaging characters, and bizarre plotlines that would falter in anyone else's hands. This is only the third Masterton novel I've read in recent months, but I'd like to read all of his stuff at some point. The problem with doing so is that most of his books are out of print. It's not like publishing houses don't know who he is; his new books find mass-market release with regularity. What us horror fans need is for Leisure to start reprinting his back catalogue. I know I would snatch up every one of Masterton's old books.
"The Burning" builds itself around one of the strangest plots I've ever encountered in horror fiction. What's great is that Masterton makes it believable. What we have here is a story combining Richard Wagner's lost masterpiece "Junius," ancient pagan rituals concerning immortality, the Third Reich, Native American spirituality, and reanimated humans called Salamanders who can burn people at will. Now does this book have potential or what? Even better, the author doesn't skimp on the Salamander's ability to set people on fire. There are numerous examples of people torched by these evil beings, told in intricate detail in page after page of cringe worthy descriptions. I don't find anything remotely amusing about people on fire in real life, as I can't think of anything as painful as suffering burns. But in a fictional horror novel where fire serves as a major plot point, the author in question better deliver the goods. Masterton goes above and beyond the call of duty in this department in "The Burning," even torching a bus full of initiates who seek entry into the cult of the Salamanders.
The hero of the story is one Lloyd Denman, a restaurant owner who has everything in the world going for him. He has a successful business, a beautiful fiancée, a wonderful house, and a nice car. Regrettably for Lloyd, tragedy strikes when his girlfriend self-immolates in a McDonald's parking lot. Lloyd is dumbfounded. Why should his beloved Celia do such a horrible thing to herself? She had a great life, with a successful career in music and a mutual happiness with Lloyd. Denman just can't bring himself to believe that Celia's death was suicide, and he begins looking around for clues to this tragic incident. It isn't too long before Lloyd finds some old sheet music stashed in Celia's piano, music that looks like an original work by Richard Wagner. This discovery, along with another one made at the scene of Celia's immolation, leads Lloyd directly to the tender mercies of Otto Mander and his stooge Helmwige. These two characters are strange, dangerous birds directly responsible for a lot of the weirdness going on. Through Mander, Denman learns that Celia's suicide is only the tip of an iceberg stretching back to pre-Christian Europe, and that in the present day a dark idea better left in the ashes of 1940s Europe is soon to attain resurrection through Mander and the Salamanders. It is up to Lloyd and a small band of oddball heroes to save the world from the evil actions of Otto Mander.
"The Burning" ultimately rests on its author's abilities, and Masterton possesses wonderful abilities that allow him to deliver in spades. The characters are interesting, especially the Nordic Helmwige and the bug eating Otto Mander. These two creepy characters only get weirder as the story progresses. Lloyd Denman is also believable as the slightly milquetoast businessman who rises to the occasion to fight an evil he doesn't comprehend. The conclusion blends Wagnerian opera, Nordic ritual, and reptilian monsters into a seamless, albeit slightly mystifying, ending. It all makes for a great, fun read. I'll continue to read Graham Masterton books as I come across them, as I've yet to suffer a disappointment at the hands of this horror master. I hope you give Masterton a whirl, too.

2 of 2 people found the following review helpful.
History, suspense, and horror
By B. Gumm
"Wow!" That's how I felt when I finished The Burning. I wholeheartedly agree with the review posted here which asked, "What kind of world do we live in where books like this are out of print?" That's a very good question, and if you enjoy horror and happen to get your hands on The Burning, you'll understand why.

Because the other two reviews laid out the story in great detail, I'm not going to rehash the plot in this review. What I will say is that the book has a lot of elements that kept me riveted to the page and had me reading late into the night to finish off the book. There's history, the arts, suspense, police drama, and of course, horror, sprinkled throughout the text. Though Masterton definitely takes liberties with German history and the Nazi era, this is a work of fiction, so that is to be expected, and his speculations as to the demise of the Third Reich and the fate of those involved in that evilest of empires made the story that much more intriguing.

If you do find that you enjoy The Burning, I would also strongly suggest Walkers and Death Trance, two other Masterston books definitely worth a read.

4 of 4 people found the following review helpful.

A Better Synopsis than what was provided.
By cj.snyder@internetMCI.com
"Lord Denman is stunded when informed that his fiancee is dead. The circumstances are grotesque: she calmly immolated herself in a parking lot ... and smiled as the flames leaped up. Celia's is just the first bizarre death by fire. A busload of people bursts into flames in the desert. The passengers die .... calmly, waiting for the fire to reach them.
Celia and the passengers have become Salamanders - immortal beings, fire made flesh. Followers of a cult whose rituals were set to music by Richard Wagner, they have sworn to serve Otto Mander and the fourth Reich he intends to found"
I just could not put this one down. I could not go to sleep till i read it cover to cover.

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A Quest for Security is the first book-length biography of Samuel Parris, the man who led the 1692 struggle against the scourge of witchcraft. While an examination of Samuel Parris's actions reveals his crucial part in the witchcraft crisis, this biography also serves as a reminder of the concern of early Americans to sustain economic independence for their families. Fully documented with endnotes and featuring a complete bibliography of primary and secondary works, this volume fills a noticeable gap in the literature on Salem witchcraft.

The first chapter looks at Samuel Parris's early years. Born in London in 1653, Parris moved with his family to Barbados in the 1660s where both his uncle and father had prospered as sugar planters. Next, the book examines his stay in Boston where he met with modest success as a merchant and started a family. The book then recounts the eight years Parris spent in Salem Village as that divided community's pastor. Beginning with his call to the clergy, the book examines his life as a Puritan pastor, and then covers the conflict in his congregation. In the first year of his ministry, a faction had developed that sought to oust Parris by refusing to pay him. Next the book covers Parris's actions in the spring of 1692 which changed a seemingly ordinary case of a handful of accusations into a full-scale witchhunt. Convinced that an organized witch cult threatened his congregation, Parris sought to root out all conspirators. His leadership in the effort led to an ever increasing escalation of accusations. When the episode finally ended, family members of some of the twenty executed witches conducted a campaign that ultimately resulted in Parris's removal from the pulpit. The final chapter looks at Parris's last years, in which he moved from one small Massachusetts community to another. Parris died in obscurity in 1720. But he achieved his most important goal--that of providing material security for his children.

  • Sales Rank: #5326863 in Books
  • Published on: 1990-11-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .69" w x 5.98" l, 1.20 pounds
  • Binding: Hardcover
  • 240 pages

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Selasa, 05 Januari 2016

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  • Sales Rank: #5644996 in Books
  • Published on: 2003-11-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.04" h x .37" w x 9.50" l,
  • Binding: Board book
  • 12 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
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By M. K. Irving
My baby received this book when he was about a month old. He's now 9-months-old, and he LOVES it. He loves the colors and simple rhymes, and the sparkly accents fascinate him.

I highly recommend this book to anyone with small children!

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In the Land of Believers: An Outsider's Extraordinary Journey into the Heart of the Evangelical Church, by Gina Welch

Ever since evangelical Christians rose to national prominence, mainstream America has tracked their every move with a nervous eye. But in spite of this vigilance, our understanding hasn't gone beyond the caricatures. Aiming to find out more, Gina Welch, a young secular Jew from Berkeley, joined Jerry Falwell's Thomas Road Baptist Church. Over the course of nearly two years, Welch immersed herself in the life and language of the devout. Alive to the meaning behind the music and the mind behind the slogans, Welch recognized the allure of evangelicalism, even for the godless, realizing that the congregation met needs and answered questions she didn't know she had.

  • Sales Rank: #1760288 in Books
  • Published on: 2011-03-01
  • Released on: 2011-03-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .78" w x 5.50" l, .69 pounds
  • Binding: Paperback
  • 352 pages

From Booklist
A secular Jew raised by a single mother in Berkeley, Welch became an outsider in a strange land when in 2002 she moved for graduate school to the heart of the Bible Belt near Jerry Falwell’s Thomas Road Baptist Church in Lynchburg, Virginia. She saw everything around her ironically, treated the South “as a joke” and her time there “as a kind of elaborate performance art project.” Then something miraculous happened. The jaded Californian began to like Virginia. She’d arrived to a Virginia on the verge of a demographic shift as a new, progressive population burgeoned. But she also grew to like the Old South—its manners, easygoing nature, and friendliness. She got serious, cast aside her cynicism, and sought to know her evangelical neighbors “as people.” Why did they think as they did? Why were they so determined “to convert non-Christian America?” She went “undercover” to attend Falwell’s church. The resultant portrayal of evangelicals as she sees them and of how she transcended the popular media caricatures of them constitute an insightful, frequently funny book. --June Sawyers

Review

“Excellent prose with a laudable purpose: to promote understanding of evangelical Christians...
An engaging, personal look at one variant of Christian fundamentalism.” ―Library Journal

“An engaging, personal look at one variant of Christian fundamentalism.” ―Library Journal

“An amazing narrative journey into the heart of the evangelical movement.” ―Washington Life magazine

“Memorable... A genuinely inquisitive memoir about the complicated nature of religious belief.” ―Kirkus Reviews

“Welch is a combination of thoughtful, funny, self-deprecating, and a skilled stylist....I am pleased I accompanied her on her journey.” ―The Charlotte Observer

“With compassion, wit, and verve, Gina Welch has gone where few secular liberals have dared to go--the late Jerry Falwell's Thomas Road Baptist Church--and emerged with a compelling story that transcends stereotypes and builds common ground. Both sides of the Great American Culture War should read this refreshing call for a cease-fire.” ―Kevin Roose, author of The Unlikely Disciple

“Gina Welch's story of her immersion in Jerry Falwell's Evangelical church is riveting. Welch is a fair, compassionate, very smart writer--and one of the most arresting narrators I've encountered in a half-century of reading.” ―John Casey, author of Spartina

About the Author
Gina Welch, a 2001 graduate of Yale University, teaches English at George Washington University. Her writing has previously appeared in Meridian, Time Out New York, and Playboy. In the Land of Believers is her first book.

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169 of 184 people found the following review helpful.
Spying on the Folk That Read the Good Book
By Smith's Rock
Gina Welch's In the Land of the Believers left me disturbed. To be fair, this might be my baseline state, per friends and family. But if one measure of a book's success is to get under the skin of the reader and stay there for awhile, In the Land of the Believers most definitely succeeds in this category.

The premise of this non-fiction book is simple: Gina Welch, a born and reared non-believer, goes undercover to join Jerry Falwell's Thomas Road Baptist Church (TRBC) in Lynchburg, Virginia, in a purported attempt to understand what she terms "Evangelicals". Welch contrasts herself with the Evangelicals: "I am a secular Jew raised by a single mother in Berkeley.... I cuss, I drink, and I am not a virgin." Falwell's church, ground zero for the now-eclipsed Moral Majority, was close enough geographically to serve Welch's purpose.

Welch starts with a trip to Scaremare, a church sponsored haunted house (termed a "hell house") designed to both metaphorically and literally scare the Hell out of participants. From this spooky beginning, Welch moves on to joining a TRBC sponsored singles group, EPIC (Experiencing Personal Intimacy with Christ), eventually being baptized (full immersion) and travelling to Alaska on a mission to capture one hundred souls for Christ (final tally 101 souls).

While the premise is simple, execution of the plan becomes complicated by Welch's penchant for developing relationships with the people she has gone undercover to observe. What might have been a documentary fact-finding expedition becomes instead a memoir about Welch herself as she gradually discovers that the church members are not caricatures, but humans, and how this discovery affects her. The primary theme evolves into a line written on the last page of the book (excluding the Epilogue): "So this--this became the basis of my love for Evangelicals: I was going to choose to see the mystical oneness. And once I started to see it that way, loving them wasn't very hard to do." Not "very" hard, but still hard. And therein lays a portion of what begins to get under my skin.

In the beginning of this tale, Welch sets the conflict up well. She describes her thoughts about TRBC pastor Jerry Falwell: "I considered him a homophobe, a fearmonger, a manipulator, and a misogynist--an alien creature from the most extreme backwater of evangelical culture." By the end of the story? Gina's feelings are...the same. Except that now she has some sincere affection for the old boy. Welch lays out her pre-conceptions about Evangelicals at the beginning of the story: "They were shrill and prudish, they loved bad music and guns and Nascar, told corny jokes, and spoke in sound bites.." By the end of the tale, she confirms all of the above, and adds on several occasions that Evangelicals have a very raunchy sense of humor. Additionally, we know that Evangelical men have an affinity for heavily pomaded hair (or conversely, shaved heads), and Evangelical women have a propensity for bright lipstick and clothing that brings to mind the Confederate Railroad country song lyrics "I like my women a little on the trashy side."

Why might this be disturbing? Welch states "The collateral damage of going undercover, I thought, was mitigated by the possibility that the enterprise would open channels of understanding writ large between Evangelicals and the rest of us." Given that the Evangelicals in the book, with rare exceptions, conform to Welch's pre-conceptions, it's a reach to say that her justification for deception succeeded in its aim.

One might ask about the notion of going undercover in the first place. Keep in mind that going undercover is something usually, if not always, done to investigate criminal activity. The FBI infiltrates extremist groups, with the aim of preventing terrorist acts. Investigative reporters go undercover to document crimes or corruption in progress. The CIA goes undercover to spy on enemies (ideally). The theme of undercover is this: It is justified only when significant harm to a community or a nation is threatened. Must one go undercover to investigate people legally accessing their freedom of religion? Welch's comment: "I sort of managed to balance the whole messy moral equation on an unsteady ball bearing of cliché: You have to break some eggs to make an omelette." Yes, Gina. But people are not eggs, and your omelette was not improved understanding of Evangelicals, it was a book from which profit will derive.

So, I'll come clean here about being disturbed. Two of my four brothers, and one of my three sisters, are Evangelicals. They are richly developed human beings, and each possess a broad and well developed sense of humor. My brothers don't pomade their hair. My sister dresses impeccably. Each of them contributes to the whole community that they live in, not just the narrow confines of their church communities. Welch would have learned far more about Evangelicals by simply introducing herself and talking to my siblings than by her elaborate deception. My siblings DO open channels of understanding between themselves and others that see the world differently.

Me? I'm a non-believer. I'm a work-my-tail-off-for-my-community, school board member, charity donating, non-believer. I feel no need to lie to my siblings, my patients (I'm a family physician), or my community about my views in order to "open channels of understanding." I just ask people questions, and answer them, a process that works amazingly well to promote understanding. And when a non-believer feels the need to participate in a two year long deception to get information available for the asking, it damages by association the reality of the integrity that so many non-believers take pride in. This disturbs me. In The Land of the Believers is an interesting book, Gina Welch is an above average writer, and discussion will be lively if your book club chooses it. That creepy feeling under my skin, though, will be there a long while.

16 of 18 people found the following review helpful.
The Story of an Atheist at Thomas Road
By Trevin Wax
Ever wonder how a committed unbeliever would feel in your church service?

Have you ever given thought to how evangelicals are viewed by those outside the church?

How many of your friends disagree with you politically? Theologically?

In the Land of Believers: An Outsider's Extraordinary Journey into the Heart of the Evangelical Church (Metropolitan, 2010) tells the story of Gina Welch. The book gives readers a fascinating glimpse into the inner workings of Thomas Road Baptist Church (the church Jerry Falwell pastored) through the eyes of an atheistic, secularist, liberal young woman.

Welch faked a conversion experience, got baptized, and spent two years at Thomas Road. (She even participated in evangelism on a mission trip.) During this time, she kept a detailed journal of her experience, which she has now turned into a book that chronicles her journey into evangelical America.

If you're like me, your first reaction upon hearing about a book like this is to roll your eyes and think, Oh great! An exposé of evangelicals from someone who deliberately engaged in deceptive practices in order to show up evangelical hypocrisy. That was my initial reaction. But after reading a number of reviews, I was intrigued enough to pick up the book. I was pleasantly surprised by Welch's portrayal of evangelicals, and I was riveted by her account. While I abhor the deceit that grounds this book, I recommend that evangelicals read it for a number of reasons.

1. Unmasking Intolerant Tolerance

First, Welch clearly understands that "intolerance" is not a label that sticks only to the Religious Right. Coming from a liberal, secular background, Welch saw people within her circles speaking intolerantly of evangelicals. She realized that relying on the common stereotypes of evangelicals was leading her to an inaccurate picture:

I vacuumed up information about evangelicals, feeling it was necessary to educate myself... And yet the more I learned, the less I understood. My anthropological inquiries lit up only the most alarming fragments of the evangelical picture, turning up the contrast and blacking out the relatable qualities. They were shrill and prudish, they loved bad music and guns and NASCAR, told corny jokes and spoke in sound bites, were unshakably loyal to exposed liars, and their children were going to bully our children into prayer. They were scary, all right, but they didn't seem quite real... I wanted to try to take them on their own terms. Who, exactly, did they think they were?" (4-5)

Welch helpfully demonstrates that ignorance, intolerance and insularity can be just as much a characteristic of the Left as it can be of the Right. I appreciate the fact that Welch recognizes this inconsistency that is common in her circles.

2. Pointing Out Evangelical Inconsistencies

Another reason why this book is helpful is because Welch has no qualms about pointing out things she didn't quite understand. She is remarkably fair-minded in her portrayal of evangelicals, but she doesn't shy away from pointing out our inconsistencies. Some of these are big blind spots that we ought to consider.

Here are some examples:

Is getting saved to avoid hell a good motivation for becoming a Christian or not? Thomas Road gave her a conflicting answer. Welch's first encounter with this church was through "Scaremare" - a sort of "hell house" intended to scare you into the kingdom. But later she recalled a testimony that contradicted this sort of evangelism:

"Woody accepted the Lord when he was nine years old, but he only did it because he was afraid of going to hell. He said this mockingly, as if it was a cowardly reason, which I thought was a little odd considering the whole shake-'em-to-wake-'em conceit of Scaremare." (57)

Is quick conversion an evidence of success, or faithful discipleship? Listen to how she questions the "easy-believism" she sees at the church:

"How can you know if you've saved someone if there's never follow-up, never counseling, never a progress report? How can you be sure the person hasn't instantly reverted to his old ways? In other words, aren't you simply counting the people who prayed the prayer in that instant rather than counting new Christians?... If you're a sincere Christian you believe all it takes is that instant, as long as you're sincere. Once you've prayed the sinner's prayer, you're good to go. God is supposed to abide in you and guide you, but really your `ways' don't matter. Your name is written forever in the Lamb's book of life.' It seemed evident that evangelicals were padding their rosters." (254)

Is tithing motivated by gratitude or by a desire for financial reward? Welch writes that teaching on stewardship seemed like a way to get more from God, a sort of "card game strategy" (38).

Is there any distinction between giving to God and giving to the Church? Welch writes:

"I had always wondered how evangelicals regarded the gap between church and God. The answer, apparently, was that they didn't worry about it. When they gave, it wasn't that they implicitly trusted the church. They trusted God, who would see their offering and furnish their reward in heaven." (149)

If salvation is about making a conscious choice to believe the gospel, why the emphasis on baptizing small kids? Here Welch puts her finger on an issue I have posted about before. Two hundred years ago, most Baptists didn't baptize children under 18. Today, most Baptist congregations outside the U.S. still refrain from baptizing small children. Welch describes children's baptism in a way that should stir up numerous discussions about the nature of true faith:

"Here at Thomas Road, they baptize a lot of children who grow up in the church. When this happens, the child is often so small that he can't walk down into the pool - one pastor floats the child off into the arms of the baptizing pastor like a paper boat. When the child is immersed, sometimes he's so light that he has to be pushed under. And sometimes his legs fly up out of the water. This seemed strange to me: Woody had told me they didn't baptize babies at the church because they believed a person had to choose to get saved, had to understand what it meant to be a sinner and to have Jesus sacrifice on your behalf. How could a little child apprehend these concepts?" (82)

3. An Outsider's View of the Evangelical Church

Here's one more reason why you should read this book: Welch alerts us to the kind of vocabulary we employ, including the use of some words which seem to have no meaning. For example, what exactly is a "personal relationship with Jesus"? Welch writes:

"You often hear evangelicals use an inscrutable expression to describe their faith. They call it `a personal relationship with Jesus Christ.' For a literal thinker like me, those words had a corporate-speak detachment from content." (91)

"I still had a hard time holding on to an understanding of these words - a personal relationship with God. As in you and God stay up late talking? As in you and God are secret shares? I mean, I knew the rhetoric - an intimate relationship with God and a willingness to put Jesus first was the outward manifestation of real Christianity..."

"Evangelical language was a language of its own, where the rhetoric often didn't mean what the words seemed to signify in English. Words were encoded symbols used to describe feelings evangelicals understood. Sometimes I was able to understand these feelings and crack the code on a turn of the phrase. But not so with the personal relationship with God. With this I scraped and scraped for a more direct meaning, but each layer I revealed was just another picture of a picture." (236)

Welch also points out the subordination of the mind to the heart as a common theme in her evangelical journey:

"Brains could rationalize sin; hearts would hold us accountable. And so evangelicals acted according to what God told their spiritual organ, following whatever feelings were glowing inside them." (123)

This anti-intellectualism is certainly a problem in many evangelical circles, although not in all.

Final Thoughts

Reading through this book, I sometimes cringed at the portrayal of evangelicals here - not because Welch's picture was inaccurate, but because it was so on target. But I fear that my embarrassment at some of the expressions of low-culture evangelicalism is rooted in pride. So... despite my distaste for some of the typical expressions of evangelical faith, I must remember that these people are my brothers and sisters. Part of Christian maturity is recognizing that we are all a bunch of bungling believers. I'm often just as inconsistent and embarrassing as they seem to be.

I also felt torn between my distaste for Welch's journalistic tactics and a sincere desire for her to see beyond some of the evangelical silliness to the glory of Jesus Christ. I found myself hoping for a different ending, that she might recognize her sin and her need for a Savior. I still hope and pray that may be the case.

I wonder how her story would have been altered had she chosen a different church. Evangelicals are a diverse bunch of people. What if she had gone to Redeemer Presbyterian in New York? Or Saddleback Church? Or First Baptist Dallas? How would her story have changed?

In the end, get this book. It's well worth your time. Read it. Learn from it. Pass it on to others.

38 of 48 people found the following review helpful.
A viewpoint worth exploring
By Kay Harrisonburg, VA
When Gina Welch, a secular Jew from California, decided to infiltrate the world of Thomas Road Baptist Church (Jerry Falwell, founding pastor) in Virginia, it seems she had preconceived ideas of what she would find. She was surprised.

Instead of discovering a people who mindlessly followed charismatic leaders, Gina found sincere believers who were part of a loving community. She soon found herself drawn into the fellowship of people who honestly cared about her. Somewhere along the way, she came to love the music and found genuine friends.

While reading this book, I was surprised and challenged at several points. Because I am a Christian, sometimes it was a stretch to understand Gina's viewpoint and why she found certain aspects of the Christian culture peculiar. What she pointed out was often I the way I think and talk. I found it revealing and important to see the Christian culture from an outsider's viewpoint.

As I looked closely at my motivation for choosing this book, I realized my expectations were also unsupported. While the followers of Falwell's ministries are professing Christians, I express my Christian beliefs differently in some ways. As I read, I realized I had hoped that Gina would confirm my approach to the faith as a better approach.

To the contrary, I found myself humbled. As Gina described her experience, I found I have more in common with the people she encountered than differences, especially in terms of love for others and the essentials of faith.

Gina, the people you met at church are the people who accepted you, forgave your deception and still desire a relationship with you. They pointed to a God who still desires a relationship with you. Keep searching.

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Warning:  Choking Hazard - Small parts.  Not intended for children under 3 yrs.

  • Sales Rank: #4133644 in Books
  • Published on: 2006-12-26
  • Released on: 2006-12-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.86" h x .69" w x 10.18" l, 1.29 pounds
  • Binding: Board book
  • 14 pages

About the Author
Roger Priddy left school at 16 with just one qualification—in art. He went to Berkshire College of Art and Design and trained as an illustrator.  His first job in children’s books was working with the publisher Peter Usborne, at Usborne Publishing, and then he worked with Peter Kindersley at Dorling Kindersley, where he spent 16 years. Priddy became Creative Director of DK’s Children’s Division and was Managing Director of the children’s mass market publisher Funfax when it was acquired by DK.  In 2000, he created Priddy Books with John Sargent at St Martin’s Press to create innovative and imaginative titles for children, from first books for babies through early reference titles for older children. Since then, over 30 million copies of Roger's 200 plus books have sold worldwide, with five of his books—My Big Animal, My Big Truck, Happy Baby Words, Happy Baby Colors and Puppy and Friends—each selling over one million copies. He is also the author of Big Board First 100 Words; Big Board Books Colors, ABC, Numbers; and Bright Baby Noisy Monsters. His creativity has been recognized with numerous industry awards. Priddy lives in London with his wife Zena and their four children.

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By N. Chun
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Jumat, 01 Januari 2016

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Joan Baez: A Bio-Bibliography (Bio-Bibliographies in the Performing Arts), by Charles J. Fuss

Still a highly visible figure, Joan Baez has long been known for social activism and her support of people victimized by poverty and political misfortune. To trace her career is comparable to tracing the social history of her time, and it is often difficult to separate the political activist from the musician. This volume is a comprehensive reference guide to her life and career. A biography concisely summarizes her achievements, while annotated entries detail her work in music and film. Entries provide critical commentary, and a bibliography cites and annotates additional works.

In 1960, when Joan Baez was just 19 years old, she had already signed a contract with Vanguard Records and released her first, and perhaps most influential, album of folk songs, ^IJoan Baez^R. Her rapid rise in music seemed effortless, and she quickly became a symbol of the blossoming youth culture. She easily filled a niche within the music industry and became the first female artist to achieve massive international success as a folk singer. Still a highly visible figure, she has long been known for social activism and her support of people victimized by poverty and political misfortune.

Through a concise biography and extensive annotated entries, this volume is a comprehensive guide to Joan Baez's tremendous contribution to music and to American social history. The opening biography explores the formative years of her career, her early successes, and her continuing achievements as an artist who has grown with the times and who continues to record compelling new music. Because it is so difficult to separate the activist from the musician, it also discusses her political contributions and her lasting influence. The chapters that follow are devoted to her recordings and to her films, with entries in each chapter providing full information for individual performances. Entries include release dates, songs, songwriters, musicians, production credits, review excerpts, and critical commentary.

  • Sales Rank: #3164262 in Books
  • Brand: Brand: Greenwood
  • Published on: 1996-09-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x .63" w x 6.14" l,
  • Binding: Hardcover
  • 272 pages
Features
  • Used Book in Good Condition

About the Author

CHARLES J. FUSS is a freelance writer. He has written several articles about popular music for Goldmine Magazine. Joan Baez: A Bio-Bibliography is his first book.

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3 of 3 people found the following review helpful.
EXTREMELY COMPLETE AND DETAILED
By Sandra D. Peters
Few people today stop to ponder the career of Joan Baez, but for those who remember the folk music and coffee houses of the 60's, Joan will never be forgotten. She is an enigma to those who are products of the 70's and 80's because folk music, true folk music, appears to be a dying art with each new generation.
Joan is not only a unique and talented artist but also well known for her compassion and activism in speaking our for social rights of those wronged by poverty and political injustice. Her songs have meaning, depth and a story to tell. This book is one of the most complete and detailed accounts of Joan's life and career, and for those who are fans and remember her music, the book is sure to be a cherished treasure. The book is well worth the money and a true collector's item.

3 of 3 people found the following review helpful.
A Wonderful Resource...
By Cheryl T. ...
I was introduced to Ms. Baez's music by an old, dear friend. When I found this book online, and purchased it, I was elated. It was like visiting with my friend all over again. Everything you ever wanted to know about this artist, and her music, are included in this well-written, thoughtful tome. A must read for any Baez-o-phile!
I only wish my friend's email address was that easy to find...

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^ Ebook Christopher Columbus and the Enterprise of the Indies & Slave Revolution in the Caribbean, 1789-1804 & Jesuit Relations, by Geoffrey Symco

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Christopher Columbus and the Enterprise of the Indies & Slave Revolution in the Caribbean, 1789-1804 & Jesuit Relations, by Geoffrey Symco

In 1492, previously separate worlds collided and began to merge, often painfully, into the world-system in which we live today. Columbus's four Atlantic voyages (1492-1504) helped link Africa, Europe, and the Americas in a conflicted economic and cultural symbiosis. These carefully selected documents describe the voyages and their immediate impact on Europe and the indigenous peoples of the Caribbean. Symcox and Sullivan's engaging introduction presents Columbus as neither hero nor villain, but as a significant historical actor who improvised responses to a changed world. Document headnotes provide context for understanding Columbus's voyages within the broader context of fifteenth-century Europe and the policies of the Spanish crown. Maps, illustrations, a chronology, questions for consideration, and a selected bibliography invite students to analyze and interpret the documents.

  • Sales Rank: #11602427 in Books
  • Published on: 2008-05-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.34" h x 1.03" w x 6.15" l, .0 pounds
  • Binding: Paperback

Review
"Unlike any other collection of documents that I have come across, the Symcox and Sullivan text gives agency to the players and participants while offering a balanced and full examination of the people and events that changed the world forever."--Jim Ross-Nazzal, Montgomery College

About the Author
Laurent Dubois is Marcello Lotti Professor of Romance Studies and History at Duke University.

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