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The Woman and the Ape: A Novel, by Peter Høeg
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The Woman and the Ape is the story of a unique and unforgettable couple--Madelene and Erasmus. Madelene is the wife of Adam Burden, a distinguished behavioral scientist. Erasmus--the unlikely prince--is a 300-pound ape. Brought to the Burdens' London home after escaping from animal smugglers, Erasmus is discovered to be a highly intelligent anthropoid ape, the closest thing yet to a human being. Madelene decides to save Erasmus, and between them blossoms a profound affection as deep as any human relationship. A fable for our time, The Woman and the Ape poses searching questions about the nature of love, freedom, and humanity.
- Sales Rank: #780717 in Books
- Published on: 2007-10-30
- Released on: 2007-10-30
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .61" w x 5.50" l, .55 pounds
- Binding: Paperback
- 272 pages
Amazon.com Review
Peter Høeg, author of the international bestseller Smilla's Sense of Snow, has written a fable that explores our human status as inhabitants of paradise lost, and the trade-off between civilization and freedom. The story begins with a captured ape, dubbed Erasmus, a specimen of an apparently new species with a cognitive ability that seems to rival human capacities. Erasmus is rescued from scientific study and experimentation by Madelene, whose husband, Adam, is the zoo director. Escaping to an Eden-like nature reserve, Madelene finds an empathy with Erasmus that develops into a wild sexual liberation. When the pair emerge from Eden to try to stop Adam continuing researches on others of Erasmus' kind, paradise dissolves, and civilization wins out. Read an interview with Peter Høeg.
From Publishers Weekly
No one will ever be able to claim that HYeg doesn't know how to hook a reader. The newest ecothriller by the author of Smilla's Sense of Snow opens with the deceptively simple sentence: "An ape was approaching London." What the vague syntax and flat affect omit could (and does) fill a book. For instance, the "ape"-who's dubbed Erasmus-turns out not to be "some sort of dwarf chimpanzee" as eminent zoologist Adam Burden claims, but a brand new species of ape that just might have the potential for language and higher cognitive functions. The opening line gives little indication of the hubbub Erasmus will raise in a few short paragraphs when he causes the Ark, the ship that has carried him captive to London, to lose its crew and plow mast-first into busy St. Katharine's Dock. Or, a few pages later, when he leads Dr. Burden and his minions on a merry chase through the streets of London. Or, a couple of chapters down the road, when Erasmus seduces Madelene, who just happens to be Burden's beautiful alcoholic wife, and takes her away for a week-long lovefest at a wild animal park. The first line gives no indication of all this because the story and its characters are mere window-dressing for HYeg. While he's a fluid writer who is competent at telling stories, it's in the realm of ideas that he excels. There are long passages in which he analyzes Erasmus and human emotions and London itself in terms that are by turns mechanistic and organic. On one page, London is a "gigantic mycelium," a fungus. On a later page, we discover that London is a worn-out machine," full of blind spots and flat points." At the end of this fine and diverting novel, Madelene explains how she's always pictured angels, and her definition could as easily stand for Erasmus or London or even the Earth. "It's one third god, one third animal, and one third human." 100,000 first printing; major ad/promo. (Dec.) FYI: The movie version of Smilla's Sense of Snow, starring Julia Ormond and Gabriel Byrne, is scheduled for release in March 1997.
Copyright 1996 Reed Business Information, Inc.
From Library Journal
From Smilla's Sense of Snow to Borderliners to A History of Danish Dreams, Danish novelist HYeg has maintained a sharp sense of social critique that, refreshingly, is not wittily dismisive but earnest without being heavy-handed. And what better way to show up human heartlessness and pretension, particularly of the ruling classes, than in our treatment of animals? In this swift-paced, lacerating new work, an ape brought illegally to England ends up at the home of Madelene, a Danish woman married to Adam Burden, director of the Institute of Animal Behavioral Research. Madelene is young, fresh, and deeply alcoholic, but through the glassy haze that HYeg describes so effectively?from the inside out, not simply for dramatic effect but almost as an aesthetic experience, like being in a crystal cage?she can tell the ape is in danger. Madelene sets out to rescue the ape from her coldly calculating husband and his even more frigid sister and, in the process, rescues herself. That is the only predictable aspect of this thought-provoking work, which is too fresh in its writing and its perceptions to fall into the sentimentality one might expect. An air of freedom surrounds Madelene's eventual abduction by the ape, and though their sexual involvment may seem over the top to some readers, you can't help but be carried along by HYeg's convictions. Don't think King Kong; this is much subtler. Highly recommended.
-?Barbara Hoffert, "Library Journal"
Copyright 1996 Reed Business Information, Inc.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Very enjoyable!
By SC
If you have issues with inter species relationships, it's not for you. If you enjoy a good story and awesome writing, go for it, you will be delighted.
7 of 7 people found the following review helpful.
Are humans not also animals?
By Jason
Perhaps meant as fable, "Woman and the Ape" assaults readers with themes of sentience, instinct, freedom, animal cruelty, evolution, and the wicked, selfish pursuits of contemporary humans in a civilized, Westernized society. Even more, the real question posited by the fabulous mind and writing of William Hoeg is: "What makes someone or something an animal? Are humans not also animals?"
Mindlessly passing the day in a drunken haze, Madelene Burden is an alcoholic who lives an aristocratic life via the reputation and riches her husband Adam Burden has amassed as a zoological research director. Along with his callous sister Andrea, the niche Adam has managed to carve out in London society is quite impressive. Everything in Madelene's life is status quo, until Erasmus arrived.
Primate smugglers delivering a specimen to London soon face a catastrophe, as the ape sabotages rigging and causes a dock crash. Escaping the chaos, the ape is soon found, captured, and brought to the labs at Adam Burden's house. The ape's name is Erasmus, and he would soon change everyone's life.
When Madelene notices her carafe of liquor is empty one day, she bibulously searches the manor. Soon she realizes that her workaholic husband is secretly home with a new, unreported subject. Previously spineless, Madelene is invigorated by the intrigue, and after discussions with an uninvolved physician with whom she shared knowledge and drawings of the animal, she soon realizes there is something unique about Erasmus and clandestinely frees him. During their escape, the two learn to care for one another, and she discovers that he may possess distinctly humanistic characteristics. Confronted with power and corruption only the very wealthy possess, the two are soon cornered and forced to make a difficult decision. They bound towards freedom and establish a quaint yet reclusive life amongst the trees of a protected forest outside of London.
It is during this portion of the book that Hoeg expands upon the conventional concepts of the differences between man and animal. Approached with eloquent timidity, Hoeg also broaches the tempest in a teapot of bestiality or interspecies intercourse. However, that may be the entire point: if the boundaries between man and animal are blurred, is the perversion perverse?
Erasmus is often better than man; he doesn't display the ability to passively lie or exaggerate like humans do until influenced by the same cynical human minds. His purity is displayed when he's shown to learn language as a young child does, picking up a complex understanding of English and rudimentary Dutch during his solitude with Madelene. A true indication of the book's overall message, Erasmus refers to humans as the animals, and himself as a person. It's that humanity has become twisted and hedonistic; blurring the line between sentient action and carnal instinct, as if Hoeg believes humankind has devolved in some ways. Given our current culture, sometimes I tend to agree.
Side-swiping the reader like a slap in the face, the curt, surprise ending is absolutely flawless. Within a few pages, the entire thesis of Hoeg's work becomes as undeniable as evolution itself, that despite the absence of the proverbial missing link, our actions alone serve as proof to our species' link to simian brothers.
This is near the top of my short list of unique books that will challenge a reader mentally while providing a creative and entrancing storyline from which it's impossible to wander. HIGHLY RECOMMENDED.
13 of 13 people found the following review helpful.
"We call ourselves 'people.' You, we call 'animals.'"
By Mary Whipple
Though "humorous" is not a word usually associated with Peter Hoeg, The Woman and the Ape, with its irony and satire, is very, very funny. An ape of unknown primate species escapes smugglers at the docks of London, only to be captured by animal researchers and primatologists, who intend to advance human knowledge--and themselves--through their testing and research on him.
The ape, named Erasmus, is actually more intelligent than the men who are testing him secretly at the estate of Adam Burden, a zoolological research director. When Madelene, Burden's alcoholic wife, discovers Erasmus, she helps him escape, and the two go off together. Establishing their own Garden of Eden in a protected forest outside of London, Erasmus and Madelene enjoy seven weeks of mutual discovery, learning, and eventually love, hidden from the outside world. When Erasmus learns to speak English and Madelene's native language, Danish, the two return to London.
Hoeg is brutally satiric of British society and academia as Adam Burden, his evil sister Andrea, the scientific community, the smuggling network, and virtually all other humans are shown to be arrogant in their assumptions about the relationship of men and animals. They will be taught an object lesson, and Madelene and Erasmus are only too happy to provide it. Themes of freedom vs. captivity (real and symbolic), man's role in the evolutionary scheme of things, and the fragility of the environment are developed, none too subtly, as the ape proves his superiority to "civilized" humanity. When asked what he calls the other members of his species, Erasmus replies, "People," indicating that humans would be considered "animals" where he lives.
This satire/sci-fi novel, though intriguing, is strange, becoming even stranger with its interspecies love affair. Madelene is a shallow character with no charm, more apt to lose her inhibitions as a result of alcohol than from any deep feeling. Structurally, the novel falls into two parts--the arrival of the ape, his discovery by Madelene, and their escape, which has some hilarious and even empathetic moments to it--followed by their idyll in a nature preserve and their return to London, a section which is very didactic, fraught with environmental messages and social criticism.
The conclusion, which incorporates many surprises, is a dramatically appropriate tour de force, which outweighs many of the novel's other problems. Perhaps too long to carry the burden of its message, Hoeg's novel is still daring and full of unique images and twists--the product of a creative author whose next novel I eagerly await. Mary Whipple
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