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The Sorrows of an American: A Novel, by Siri Hustvedt
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When Erik Davidsen and his sister, Inga, find a disturbing note among their late father's papers, they believe he may be implicated in a mysterious death. The Sorrows of an American tells the story of the Davidsen family as brother and sister unbandage its wounds in the year following their father's funeral. Erik is a psychiatrist dangerously vulnerable to his patients; Inga is a writer whose late husband, a famous novelist, seems to have concealed a secret life. Interwoven with each new mystery in their lives are discoveries about their father's youth--poverty, the War, the Depression--that bring new implications to his relationship with his children.
This masterful novel reveals one family's hidden sorrows in an "elegant meditation on familial grief, memory, and imagination" (Minneapolis Star-Tribune).
- Sales Rank: #930299 in Books
- Brand: Hustvedt, Siri
- Published on: 2009-03-03
- Released on: 2009-03-03
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .72" w x 5.50" l, .62 pounds
- Binding: Paperback
- 320 pages
From Publishers Weekly
Starred Review. In her fourth novel (following the acclaimed What I Loved), Hustvedt continues, with grace and aplomb, her exploration of family connectedness, loss, grief and art. Narrator and New York psychoanalyst Erik Davidsen returns to his Minnesota hometown to sort through his recently deceased father Lars's papers. Erik's writer sister, Inga, soon discovers a letter from someone named Lisa that hints at a death that their father was involved in. Over the course of the book, the siblings track down people who might be able to provide information on the letter writer's identity. The two also contend with other looming ghosts. Erik immerses himself in the text of his father's diary as he develops an infatuation with Miranda, a Jamaican artist who lives downstairs with her daughter. Meanwhile, Inga, herself recently widowed, is reeling from potentially damaging secrets being revealed about the personal life of her dead husband, a well-known novelist and screenplay writer. Hustvedt gives great breaths of authenticity to Erik's counseling practice, life in Minnesota and Miranda's Jamaican heritage, and the anticlimax she creates is calming and justified; there's a terrific real-world twist revealed in the acknowledgments. (Apr.)
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From The New Yorker
"I’m lost," a patient tells her psychiatrist in Hustvedt’s fourth novel. "I’m cold. I’m all alone." She might be speaking for all the characters in this sombre meditation on the isolation of urban professionals, in which daily routines are nothing but "pillars in an architecture of need," erotic love is ephemeral, and friendship is the only source of consolation in a post-9/11 New York where everyone is always having nightmares. Hustvedt’s interest in the ways in which language can form both a bridge and a barrier between individuals leads her into digressions on Plato, Kierkegaard, and theories of psychoanalysis. This didactic turn has the unfortunate effect of making her plot—stories of loss and disappointment connected only tenuously through the character of the psychiatrist—start to seem almost beside the point.
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Review
“I think I am in love. . . . This is one of the most profound and absorbing books I've read in a long time.” ―Ron Charles, The Washington Post
“Beautiful . . . both a large-scale examination of the idea of America and a close inspection of the experiences of coping with trauma and loss.” ―Margot Kaminski, San Francisco Chronicle
“The Sorrows of an American is a thought-provoking book that offers pleasures across many different registers. . . . Here again [Hustvedt] proves herself a writer deftly able to weave intricate ideas into an intriguing plot.” ―Sylvia Brownrigg, The New York Times Book Review
“The Sorrows of an American takes on elements of a suspense novel as the various mysteries unfold, but the real question is how we reconcile ourselves to the hard truths in our lives.” ―Connie Ogle, The Miami Herald
“The pages turn themselves. The old story, the search for the self, holds water once again.” ―Susan Salter Reynolds, Los Angeles Times
“Like all enduring novelists, Hustvedt combines riveting storytelling with philosophical rumination as she dramatizes and contemplates the legacy of sorrows born of the struggles of immigrants and the psychic wounds of war, betrayal, and unrequited love.” ―Donna Seaman, Booklist (starred review)
Most helpful customer reviews
24 of 30 people found the following review helpful.
Par Excellent
By Martin Nouvell
I had never heard of this author until I heard her speak at the Key West Literary Seminar last then. Since then I have bought and read all of her books.
How can she do what she does on a page? How does she make the pages fall away and take me into a world that I never forget? I don't know the answer, but I do know as soon as I saw she had a new book out, The Sorrows Of An American I rushed right out to buy it -- and in the last two days have been transported, once again by a world I did not know I was missing.
Like her previous books, the characters (Erick, Miranda, Eggy, and Inga, and Max) in Sorrows of an American are now a part of my life. I shut the book last night and am still thinking of their world. Missing it, actually.
While following a mystery - edged with both agitated grief -- I learned about memory, light, darkness, and art.
No question about it -- this book will not disappoint you: the kind of reading experience that makes you re-remember the power that can be found in bound pages when created by a true artist. Plus, the story here is simply - INTERESTING.
9 of 10 people found the following review helpful.
You either love it, or hate it
By C. Clark
Disappointing. I kept thinking to myself, How does a book like this even get published? I am an avid reader, and am not accustomed to disliking a book as much as I disliked this book.
First, Hustvedt fails to draw a believable male protagonist. The dialogue is also unbelievable, as it is convoluted and awkward. The characters in this book do not speak as real people do. Also, the plot is shaky-to-nonexistent. Most of the characters aren't particularly likable; they are over-privileged, self-involved, and depressing. I couldn't wait for this book to be over with. It was slow going without reward.
I wonder if the author writes essays. Her writing style seems better suited to that medium.
Based on other reviews here, it seems you either love this book, or hate it. If you have any doubts, think twice. You may just hate it.
5 of 5 people found the following review helpful.
Just This Side of Madness
By Heather A. Conrad
This is a complex novel that reads like a literary mystery and at other times like a psychological drama. Everyone in the book hovers at the edge of the abyss. Even the mild-mannered, kind psychoanalyst, Erik Davidsen, who narrates the story which takes place in the year following the death of his father, Lars. Excerpts from Lars memoir appear occasionally: descriptions of his service in World War II or at his Norwegian family's farm. Interestingly, Siri Hustvedt states in her acknowledgments that they are nearly verbatim quotes from a journal by her own father, who died in February, 2003.
There is an engaging plot and suspense, but what makes this novel stand out is its intellectual clarity and prowess. I find the word "American" in the title ironic as I felt throughout my reading that the book was written by a European and I kept picturing London instead of New York, where it is set. This was because the book totally lacks a certain cultural element that is typical of American fiction: a kind of sentiment, or faith or anti-intellectualism. This novel is very interior, clinical and mentally disciplined. At times it read like a Bergman film, full of secrets and repressed emotion, characters haunted by past experience, yet never sentimental or romantic. The book's European intellectualism and lack of American surface-as-story romanticism is articulated by one of the characters, Inga, Erik's sister. She is describing a former actress who had an affair with her husband. Inga tells Erik that the actress had been an alcoholic but recovered by getting involved in New Age ideas. "She touts that half-baked, naïve, shiny American brand of mysticism, you know, Far East via California and Hallmark..." But what, I wondered, is both "half-baked" and "shiny"? The element mercury comes to mind and in fact is descriptive of American culture: amorphous, quicksilver fast, directionless. This quality is embodied in another character, a young hip New York artist, Jeff Lane, who documents everything with a high-speed digital camera, intruding everywhere, immortalizing the banal, he is a walking blog with spiky hair. But as he says of life, "The world is going virtual anyway."
As in every novel set in New York recently, there are frequent references to 9/11, but they are peripheral to this story which is primarily about the psychoanalytic approach to awareness. In fact, it could be an advertisement for psychoanalysis in that the brief case-histories narrated by Erik always show the analyst as deeply attuned and insightful, and the process of analysis as producing remarkable breakthroughs, lifting years of depression or allowing patients to experience a "reincarnation" in this life. If this novel veered into romanticism at any point it was its seeming faith in psychoanalysis.
There is much that is thought provoking and intriguing in The Sorrows of an American. It's a fascinating read.
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