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Ramsey Campbell's novels have justly won him acclaim as one of the best writers of the age. A three-time winner of the World Fantasy Award and an eight-time winner of the British Fantasy Award, his writing has struck a chord with readers worldwide.
But throughout his career he has also written insightful, terrifying, and disturbing short fiction. Ghosts & Grisly Things is a collection of the best of Campbell's short works from the past two decades. This book also features the story "Ra*e" which appears here for the first time anywhere.
- Sales Rank: #3126332 in Books
- Color: Black
- Published on: 2001-10-11
- Released on: 2001-10-11
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .72" w x 5.50" l, .64 pounds
- Binding: Paperback
- 320 pages
- ISBN13: 9780312867577
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
From Publishers Weekly
Although he has devoted most of the past decade to novel-length works of dark fantasy and suspense (Silent Children, Forecasts, June 26, etc.), Campbell's short stories continue to shape and expand the vocabulary of horror fiction. This collection of 20 talesDhis first full-length compilation since the World Fantasy Award-winning Alone with the Horrors (1993)Druns the gamut from psychological to physical horror, and conjures nightmares from the most unlikely raw material. In "Going Under," an inconsiderate cell-phone user on a charity walk is engulfed by the sea of participants that his self-important antics annoy. One of the most original vampire stories in recent years, "The Dead Must Die," presents a religious fanatic convinced that family members who don't subscribe to his fundamentalist beliefs are undead creatures deserving of the gory salvation he dispenses. In tale after tale, Campbell shows himself to be a prose craftsman who can use words to render a dangerously distressed viewpoint or evoke indescribable horrors by carefully detailing what they are not. It is not surprising, then, that in the darkly comic "McGonagall in the Head," words themselves are a source of horror for a newspaper obit writer driven insane by the sappy doggerel he must quote from the bereaved. The most powerful stories are those where characters confront specters that summarize the mediocrity of their lives: a creepy elevator attendant who forms an attachment to the manager of a failing movie theater in "Between the Floors" and a ghostly driver who threatens an aging, childless couple in "The Sneering." The thick, claustrophobic atmosphere of these selections intensifies their terrors and pulls the reader ineluctably into their shadowed corners. (Oct.)
Copyright 2000 Reed Business Information, Inc.
Review
“Showcase[s] Campbell's gift for a sense of understated, slowly growing supernatural menace. . . . Ghosts and Grisly Things is grim, grown-up horror.” ―The Washington Post
“Campbell's short stories continue to shape and expand the vocabulary of horror fiction. This collection . . . conjures nightmares from the most unlikely raw material.” ―Publishers Weekly (starred review)
“This is Campbell at his best.” ―Kirkus Reviews
About the Author
Ramsey Campbell has won more awards than any other living author of horror or dark fantasy, including four World Fantasy Awards, nine British Fantasy Awards, three Bram Stoker Awards, and two International Horror Guild Awards. Critically acclaimed both in the US and in England, Campbell is widely regarded as one of the genre's literary lights for both his short fiction and his novels. His classic novels, such as The Face that Must Die, The Doll Who Ate His Mother, and The Influence, set new standards for horror as literature. His collection, Scared Stiff, virtually established the subgenre of erotic horror.
Ramsey Campbell's works have been published in French, German, Italian, Spanish, Japanese, and several other languages. He has been President of the British Fantasy Society and has edited critically acclaimed anthologies, including Fine Frights. Campbell's best known works in the US are Obsession, Incarnate, Midnight Sun, and Nazareth Hill.
Most helpful customer reviews
7 of 8 people found the following review helpful.
Another fine Campbell collection.
By Robert Beveridge
Ramsey Campbell, Ghosts and Grisly Things (Tor, 1998)
I sometimes wonder where books get their titles. In this case, I have to lay the blame on some copy editor at Tor who hadn't even bothered reading the manuscript, or at best skimmed it a tad. There's the odd ghost in this collection of stories, and a grisly thing or two, but anyone who's read Ramsey Campbell before should be well aware by now that the horror which Campbell makes his stock in trade has far less to do with such external fear-inducing stimuli. Stephen King writes in the opening pages of Cujo about how our fears change as we grow older, how the monster in the closet becomes the horror of not knowing how you're going to pay the rent on time. Within that perspective, Campbell is very much an adult horror writer; while his characters find themselves in widely disparate situations doing widely disparate things, the horrors that plague them are usually those who invoke the same fear as not knowing whence the rent check. And perhaps this is why Campbell has yet to find the audience in America that King and his monsters or Koontz and his aliens have found. When the monster is something other than the average Joe (even if he's a serial killer or some other damaged version of humanity, he's still "other"), there's a cushion of safety against which the reader can lean. When the monster is a guy on a cell phone ("Going Under"), a return to one's hometown ("Welcomeland"), or the banal passengers you're stuck with on the train ("Missed Connection"), you can't help but identify. We've all been there and done that.
Campbell is probably better known as a novelist, but he's published a number of collections of top-quality short stories. Add this one to the list. He's the grand master of writing the type of horror that has fueled the recent careers of such lights as Kathe Koja, Lucius Shepard, and Patrick McGrath; fans of such writers should have no problems glomming onto what Campbell's doing, and those few who haven't discovered him yet deserve to. ****
43 of 49 people found the following review helpful.
Campbell is still the undisputed Master of the Horror Tale
By A Customer
As you'd expect from Ramsey Campbell, GHOSTS AND GRISLY THINGS includes the most chilling, well written, powerful, and haunting horror tales you'll find out there today. While I don't think this collection of tales ranks with his best (eg, the horror masterpieces DARK COMPANIONS and THE HEIGHT OF THE SCREAM; both of which deserve to be considered as modern-day masterworks of the horror tale comparable to the best of M.R. James, Shirley Jackson, Fritz Leiber, Robert Aickman and H.P. Lovecraft), it is nonetheless one of the strongest collections since the Campbell retrospective ALONE WITH THE HORRORS.
The two vaguely positive reader reviews preceding this one just don't come close to doing justice to this book. It appears that the extraordinary, though often subtle, power of this collection of stories has eluded both reviewers. Furthermore, despite their claims to the contrary, there are no tales within concerned with vampires, classic horror creatures, or necrophilia (which one reviewer mistakenly claims to be the subject of "Through the Walls").
It's fair to say that many readers, especially those only used to very straightforward, more mainstream horror writers like Dean Koontz or Stephen King, may not get the full impact of a typical Campbell tale on the first reading. Campbell's style is unique, natural, and evocative--though free of the pretentious, heavy-handed flourishes that some writers seemingly confuse for a style. His technique can also be extremely subtle. Readers accustomed to the more in-your-face attempts at shock that pepper mainstream fiction might not even pick up on some of the more suggested elements in his work.
Campbell is not a writer who heaps redundant detail upon the reader. He often says much in just a few words--thus igniting the reader's imagination, rather than swamping it with excess and irrelevancies. His writing frequently captures the elusive and ambiguous feel of nightmares. The horror of his tales never feels obvious or familiar, unlike the stock villains and unimaginative ghoulies that too much modern horror writing relies on. His demons are enigmatic; they arise inexplicably, like incarnations of the ingrained violence or decay of a haunted landscape, or the manifestations of one's worst fears. His imagery is often grotesque, and sometimes stomach-churningly gruesome, but always conveyed with the flair of a master artist: capturing images through an elegant prose as fluid as the strokes of an Impressionist painter, rather than heaping overheated writing upon itself in some desperate effort to summon a response in the reader.
At the same time, Campbell's fiction is rooted in a thoroughly convincing and unsentimental realism. His characters and their relationships, and his settings, from run-down urban backstreets to sunny and remote countryside, ring true in a manner horror fiction rarely even aspires to. Only once such a solid foundation has been established does the nightmarish begin to intrude, as it does with such unnerving inevitability throughout Campbell's work. Indeed, nobody--with the possible exceptions of such noteworthy talents as Robert Aickman and M. John Harrison--rivals Campbell at blurring the lines between finely drawn reality and the frighteningly twisted logic, dread-filled atmosphere, and horrific, indelible imagery of nightmare.
GHOSTS AND GRISLY THINGS offers a number of excellently crafted tales that recall Campbell's best. Some of its best tales are "Missed Connection", "Root Cause", "The Alternative", "Looking Out", "Between the Floors", "The Sneering", and "Welcomeland": a selection outstanding not just in its diversity and the brilliance of individual tales therein, but as a demonstration of the range and power of which the best horror fiction is capable. If tales like those listed above fail to move, disturb, or haunt a reader, I'd submit that the problem is not with the writing at all, but with the reader. Meanwhile, a few stories, such as "Where They Lived" and "McGonagall in the Head", balance the darkness of their visions with an equally black humor.
That's not to say I think the entire collection is flawless. As stated earlier I don't think GHOSTS AND GRISLY THINGS packs the wallop of Campbell's best fiction collections. There's a couple of fairly lightweight pieces here, particularly "Going Under" and "A Street Was Chosen"--though the latter successfully invokes the feel of a playfully mean-spirited cartoon by Charles Addams or Edward Gorey. My primary gripe is probably with the last entry, the novella "Ra*e", which, though a fine, chilling tale, ranks as one of the least impressive works I've read by him. "Ra*e" reads like one of Campbell's less successful stabs at a more mainstream market for thriller/serial killer fiction, which I think is a major step down for a writer of his ability. But nonetheless, even the weakest material here is of a quality rarely matched in horror writing in general.
So overall this book is a must-read work of modern horror fiction. It also makes a fine starting point for anyone yet to read Campbell's work. Keep in mind, if you merely seek escapist thrills and cheap shocks: you need not look into this book or anything else written by Ramsey Campbell. However, if you're after well crafted stories that demonstrate how vital, imaginative, and powerful horror fiction can be, tales that will stay with you after you've read them, then you may thank yourself for checking out GHOSTS AND GRISLY THINGS.
7 of 15 people found the following review helpful.
Grisly more than scary but quite good
By A Customer
Ramsey Campbell is more known for his novels such as SILENT CHILDREN and NAZARETH HILL. Still his previous anthologies have been well received (see ALONE WITH THE HORRORS: THE GREAT SHORT FICTION OF RAMSEY CAMPBELL 1961-1991 AND STRANGE THINGS AND STRANGER PLACES). So for Mr. Campbell to provide his audience with twenty tales that vary in terror (and quality) is not surprising. The subjects deviate from modern day scenarios to homage to classic horror creatures.
Not for everyone because Mr. Campbell's writing often lives up to his title, the stories are creative, quite depressing, yet often humorous. The stories diversify between physical horror (ask the charity runner, the vampires or the other alleged creatures of the night) to psychological terror (talk to the mother avenging her daughter's murder). All the stories are good, but the best contain characters forced to challenge real or imaginative phantoms. Hopefully readers will not have to wait five plus years for Mr. Campbell's next anthology.
Harriet Klausner
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